PLANTSE À DÉKOPÂ

barbara caveng projet planche à découper

Jules und Rita, donators| Plantse à dékopâ | Leytron 2011

The participatory project was realized through invitation from the State School of Art of Valais (ECAV) in collaboration with the commission of Safeguarding of Patrimony- Leytron (SPL), supported by the University of Applied Sciences of Western Switzerland (HES-SO) in collaboration with the foundation Château Mercier.

The project PLANTSE À DÉKOPÂ [patois|french: planche á découper english: cutting board] revolves principally around the questions of cultural identity and the transmission of patrimony from generation to generation. The artistic material/medium used to discuss this complex, is the plantse à dékopȃ – an object of daily life used in cooking which conserves and memorizes their owner’s history and whose value is effected through use.

barbara caveng Table-Sculpture 'plantse à dékopȃ' | cup-board-table | Leytron 2012 
je 300 x 85 x 83cm | ca. 120 Cupboards | ©Julie Langenegger
Variant I: Table ‘plantse à dékopȃ’ | Leytron 2012
each 300 x 85 x 83cm | 123 cutting boards | joined to one table of
300 x 170 x 83 cm
franes/ testles european larch
©Julie Langenegger

The plantse à dékopâ accompanies us in our quotidian life, our actions transform and mark their surfaces and register lines, evoking both moments of happiness and conviviality as well as times of worry and pain. The plantse à dékopâ memorizes its owner’s life life in mute witness. It holds the memories of people and conditions of life that can be awoken and told, communicating a personal history

cutting board table by barbaa caveng in collaboration with the residents of the community of Leytron (Valais)
Variant II) tables ‘plantse à dékopâ ‘ | Leytron 2012
2 tables, each 300 x 85 x 83 cm | joined together to form a table measuring 600 x 85 x 83 cm
cutting board table by barbaa caveng in collaboration with the residents of the community of Leytron (Valais)
123 Kitchen board |
frames/ trestles: European larch
©Julie Langenegger

Inauguration of the table sculpture in 2012, old church of Leytron. Everyone broughts something to the table.
Performance: barbara caveng | Leah Anderson | Michael Röhrenbach ©SPL, Sauvegarde Patrimoine

Not only the wooden pieces- some of them could nearly be considered as antiquities – are memorizing cultural history, also the boards made from synthetic material are witnesses of the social changes of ‘modern life’.

Portait of Serge Huguet,  Maître of the bistro Le Caveau chez Hubert on the hill of Produit/ Leytron
Serge Huguet is Maître of the bistro Le Caveau chez Hubert on the hill of Produit/ Leytron

The core of the project is the collection of around 120 cutting boards of the inhabitants of Leytrons [485m above sea level] with its hamlet Les Moulins, Produit, Montagnon, Les Places, Le Four, Dugny, Morthey und Lui Teise, up to Ovronnaz [1350m above sea level]. Ninethy percent of them have been handed over personally, most of them in the private atmosphere of the living room or the kitchen of the donnator, accompanied by personal narratives. Some boards have been placed in a public donation box.

Portait with cupboard of the hunter Toni Blanchet
The hunter Toni Blanchet

During another two months the collection was transformed into two tables, each of them with the measures of 300 x 85 x 83cm. These tables offer two possibilities of arrangement: as square table referring to King Arthur’s Round Table or as a long table reminding of the Last Supper.

All donators* and their cutting boards